It seems to me that
the art of poetry
is much like
the art of sex.
.
Inspiration favors those who faithfully fill notebooks
with so many scrawled lines,
late-night-pages sated with threadbare simile,
our metaphors as familiar to each other now as
nursery rhymes –
agreeable in their predictability.
.
Every once in a while –
(anniversary poems usually)
– the imagery slinks uneasily towards melodrama,
ill-fitting verse slipped straight from the thesaurus
and massaged clumsily into meter,
Arguably impressive in form
but making for vaguely awkward reading.
.
And those ambling streams of consciousness
cursiving tipsily from couch to bed,
stepping over the pencil notes strewn everywhere –
stars and question marks,
lines under and lines through,
– mess of the day’s annotations twining around
the body of the text.
.
There they are now,
all those mismatched volumes
we’ve collected over the years,
thousands of unremarkable lines
resting solidly on the bedroom shelf.
.
Yet even from over here at my desk,
I can see the dog-ears,
the fringes of old receipts and sticky notes
marking favorite passages.
Those ones where the words shoved us up against
the guest bedroom wall while the kids were napping,
shocking us with a poem so raw
we spent the rest of the day dizzy
from the secret thing we had written.